WHAT: WHEN: STUDIO: PRICE: |
Safety Last! June 18th Criterion Retail: 29.95, Our: $23.99 |
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WHAT: WHEN: STUDIO: PRICE: |
Safety Last! (Blu-Ray) June 18th Criterion Retail: 39.95, Our: $31.99 |
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WHAT: WHEN: STUDIO: PRICE: |
Things to Come June 18th Criterion Retail: 29.95, Our: $23.99 |
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WHAT: WHEN: STUDIO: PRICE: |
Things to Come (Blu-Ray) June 18th Criterion Retail: 39.95, Our: $31.99 |
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Criterion has announced a June 18th release date for standard DVD and Blu-Ray versions of Safety Last! (1923) and Things to Come (1936).
Both are making their Blu debut and come with plenty of bonus features (below).
Lloyd plays a small-town bumpkin trying to make it in the big city, who finds employment as a lowly department-store clerk. He comes up with a wild publicity stunt to draw attention to the store, resulting in an incredible feat of derring-do on his part that gets him started on the climb to success.
Laugh-out-loud funny and jaw-dropping in equal measure, Safety Last! is a movie experience par excellence, anchored by a genuine legend.
BONUS FEATURES:
- Introduction by Suzanne Lloyd, Lloyd’s granddaughter and president of Harold Lloyd Entertainment
- Audio commentary featuring film critic Leonard Maltin and director and Harold Lloyd archivist Richard Correll
- Musical score by composer Carl Davis from 1989, synchronized and restored under his supervision
- Alternate score by organist Gaylord Carter from the late 1960s
- Harold Lloyd: The Third Genius, a 104-minute documentary from 1989
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Three newly restored Lloyd shorts:
- Take a Chance (1918)
- Young Mr. Jazz (1919)
- His Royal Slyness (1920), with commentary by Correll and film writer John Bengtson
- Locations and Effects, a new documentary featuring Bengtson and special effects expert Craig Barron
- New interview with Carl Davis
- PLUS: A booklet featuring an essay by critic Ed Park
Skipping through time, Things to Come bears witness to world war, dictatorship, disease, the rise of television, and finally, utopia. Conceived, written, and overseen by Wells himself as an adaptation of his own work, this megabudgeted production, the most ambitious ever from Korda’s London Films, is a triumph of imagination and technical audacity.
BONUS FEATURE:
- Audio commentary featuring film historian and writer David Kalat
- Interview with writer and cultural historian Christopher Frayling on the film’s design
- Film historian Bruce Eder on Arthur Bliss’s musical score
- Audio recording from 1936 of a reading from H. G. Wells’s writing about the “wandering sickness,” the plague in Things to Come
- PLUS: A booklet featuring an essay by critic Geoffrey O’Brien
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