The Wild, Wild West - Fourth and Final Season in March
**Paramount Home Video** has announced a March 18th release date for The Wild Wild West - The Complete Fourth Season. The 6 DVD set of the final season will retail for $49.99, but is available at Classicflix.com for only $35.99.
Lubitsch Musicals - Eclipse Series 8 in February
**Criterion** has announced a February 12th release date for Lubitsch Musicals - Criterion Eclipse Series 8. The 4-Disc DVD set will retail for $59.95, but is available at Classicflix.com for only $43.99. The titles are The Love Parade (1929), (1930), Monte CarloThe Smiling Lieutenant (1931) and One Hour With You (1932). Consistent with Criterion's Eclipse line, it will contain no bonus features and will only be sold as a boxed set. Stars include Jeanette MacDonald, Maurice Chevalier, Claudette Colbert, Charles Ruggles, Lionel Belmore, Jack Buchanan, Zasu Pitts, Genevieve Tobin and Roland Young. More details below.
Not only the man who refined Hollywood comedy with such masterpieces as Trouble in Paradise, The Shop Around the Corner, and To Be or Not to Be, Ernst Lubitsch also helped invent the modern movie musical. With the advent of sound and audiences clamoring for "talkies," Lubitsch combined his love of European operettas and his mastery of film to create this entirely new genre. These elegant, bawdy films, made before strict enforcement of the Hays morality code, feature some of the greatest stars of early Hollywood (Maurice Chevalier, Jeanette MacDonald, Claudette Colbert, Miriam Hopkins), as well as that elusive style of comedy that would thereafter be known as "the Lubitsch touch."
The Love Parade (1929)
Ernst Lubitsch’s first "talking picture" was also Hollywood's first movie musical to integrate songs with narrative. Additionally, The Love Parade made stars out of toast-of-Paris Maurice Chevalier and girl-from-Philly Jeanette MacDonald, cast as a womanizing military attaché and the man-hungry queen of "Sylvania." With its naughty innuendo and satiric romance, The Love Parade opened the door for a decade of witty screen battles of the sexes.
Monte Carlo (1930)
Jeanette MacDonald's independent-minded countess leaves her foppish prince fiance at the altar, and whisks herself away to the Riviera. There, she strikes the fancy of the sly Count Rudolph (Broadway crossover Jack Buchanan), who poses as a hairdresser to get into her boudoir. Lubitsch's follow-up to The Love Parade shows even more musical invention, and presents MacDonald at her haughty best.
The Smiling Lieutenant (1931)
Maurice Chevalier's randy Viennese lieutenant is enamored of Claudette Colbert's freethinking, all-girl-orchestra-leading cutie. Yet complications ensue when the repressed princess of the fictional kingdom of Flausenthurm, played by newcomer Miriam Hopkins, sets her sights on him. The Smiling Lieutenant is a delightful showcase for its rising female stars, who are never more charming than when Colbert tunefully instructs Hopkins, "Jazz Up Your Lingerie.
One Hour With You (1932)
Lubitsch reunites Maurice Chevalier and Jeanette MacDonald, this time as a seemingly blissful couple whose marriage hits the skids when her flirtatious school chum comes on to her husband a bit too strong. Necking in the park at nighttime, husbands and wives having casual dalliances, and a butler telling his master, "I did so want to see you in tights!": it's one of Lubitsch's sauciest escapades and his final pre-Code musical.
The Love Parade (1929)
Ernst Lubitsch’s first "talking picture" was also Hollywood's first movie musical to integrate songs with narrative. Additionally, The Love Parade made stars out of toast-of-Paris Maurice Chevalier and girl-from-Philly Jeanette MacDonald, cast as a womanizing military attaché and the man-hungry queen of "Sylvania." With its naughty innuendo and satiric romance, The Love Parade opened the door for a decade of witty screen battles of the sexes.
Monte Carlo (1930)
Jeanette MacDonald's independent-minded countess leaves her foppish prince fiance at the altar, and whisks herself away to the Riviera. There, she strikes the fancy of the sly Count Rudolph (Broadway crossover Jack Buchanan), who poses as a hairdresser to get into her boudoir. Lubitsch's follow-up to The Love Parade shows even more musical invention, and presents MacDonald at her haughty best.
The Smiling Lieutenant (1931)
Maurice Chevalier's randy Viennese lieutenant is enamored of Claudette Colbert's freethinking, all-girl-orchestra-leading cutie. Yet complications ensue when the repressed princess of the fictional kingdom of Flausenthurm, played by newcomer Miriam Hopkins, sets her sights on him. The Smiling Lieutenant is a delightful showcase for its rising female stars, who are never more charming than when Colbert tunefully instructs Hopkins, "Jazz Up Your Lingerie.
One Hour With You (1932)
Lubitsch reunites Maurice Chevalier and Jeanette MacDonald, this time as a seemingly blissful couple whose marriage hits the skids when her flirtatious school chum comes on to her husband a bit too strong. Necking in the park at nighttime, husbands and wives having casual dalliances, and a butler telling his master, "I did so want to see you in tights!": it's one of Lubitsch's sauciest escapades and his final pre-Code musical.
ARTWORK UPDATE: Charlie Chan, Vol. 4
--Artwork added to previous announcement--
**Fox** has announced a February 12th release date for Charlie Chan Collection, Vol. 4. The set will include the first four Sidney Toler Chan adventures: Charlie Chan in Honolulu (1938), Charlie Chan in Reno (1939), Charlie Chan at Treasure Island (1939) & City in Darkness (1939). Among the co-stars are Lynn Bari, Lon Chaney Jr., Victor Sen Yung, Cesar Romero, Douglas Fowley, Donald MacBride, Ricardo Cortez, Phyllis Brooks, George Zucco & Marc Lawrence. The 4 DVD set will be sold only as a complete set and will retail for $49.99, but is available at Classicflix.com for only $37.99.
**Fox** has announced a February 12th release date for Charlie Chan Collection, Vol. 4. The set will include the first four Sidney Toler Chan adventures: Charlie Chan in Honolulu (1938), Charlie Chan in Reno (1939), Charlie Chan at Treasure Island (1939) & City in Darkness (1939). Among the co-stars are Lynn Bari, Lon Chaney Jr., Victor Sen Yung, Cesar Romero, Douglas Fowley, Donald MacBride, Ricardo Cortez, Phyllis Brooks, George Zucco & Marc Lawrence. The 4 DVD set will be sold only as a complete set and will retail for $49.99, but is available at Classicflix.com for only $37.99.
The Fugitive - Season 1, Vol. 2 in February
**Paramount Home Video** has announced a February 26th release date for The Fugitive - Season 1, Vol. 2. The 4 DVD set will contain the second half of Season 1 which had a total of 30 episodes. Retail is $36.99, but is available at Classicflix.com for only $27.99.
Forbidden Hollywood, Vol. 2 in March - 5 DAY SPECIAL PRICE
**Warner Home Video** has announced a March 4th release date for Forbidden Hollywood Collection, Vol. 2. The set will include the The Divorcee (1930), A Free Soul (1931), Three on a Match (1932), Female (1933), Night Nurse (1931) and an all new documentary Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood. Among the stars are Norma Shearer, Barbara Stanwyck, Bette Davis, Clark Gable, Lionel Barrymore, Leslie Howard, Chester Morris, Robert Montgomery, Warren William, Joan Blondell, Ann Dvorak, Humphrey Bogart & James Gleason. The 3 DVD set will be sold only as a complete set and will retail for $49.92, but is available at Classicflix.com for only $37.99. However, for 5 days only, we'll have it for the SPECIAL PRE-ORDER PRICE of $33.99. Details below.
On March 4, Warner Home Video (WHV) will introduce a second group of sassy and taboo films from Hollywood’s Pre-Production Code era with the DVD debut of TCM Archives: Forbidden Hollywood Volume 2. Following the success of last year’s Volume 1, this new 3-disc collection will contain five pre-code sizzlers, with some of Hollywood’s biggest stars. Disc One spotlights Norma Shearer in her Best Actress Oscar®-winning role as The Divorcee and again in A Free Soul; with Lionel Barrymore and Clark Gable. Disc Two features Bette Davis, Joan Blondell and Ann Dvorak in Three on a Match paired with the Michael Curtiz-directed comedy Female starring Ruth Chatterton as a no-nonsense CEO. Disc Three features William Wellman’s powerful drama Night Nurse, which stars Barbara Stanwyck with a very young Clark Gable, along with the new documentary feature Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood. The film provides fascinating insight into the American psyche of late 1920s and early 1930s, illustrating why, more than seventy years later, the so-called “Pre-Code” movies remain among the most vital and provocative films ever made.
DISC 1
The Divorcee (1930, 82 min)
Based on Ursula Parrott’s spicy 1929 novel “Ex-wife,” the highly controversial The Divorcee was nominated for four Academy Awards including Best Picture. Norma Shearer won for Best Actress as a woman who confronts the hypocrisy of the double standard after catching her husband in a compromising position and forcing him to confess his infidelities. Her solution to the problem: try to match him tryst for tryst.
A Free Soul (1931, 91 min)
In A Free Soul, Lionel Barrymore captured an Oscar for his portrayal of a brilliant alcoholic lawyer Stephen Ashe, who successfully defends dashing gangster Ace Wilfong (Clark Gable) on a murder charge only to find that his headstrong daughter, Jan (Norma Shearer), has fallen in love with his client. Jan, a fun-loving socialite seeking freedom from her blue-blood upbringing, is only too eager to dump her aristocratic boyfriend (Leslie Howard) for the no-good gangster. She runs away from her childhood home to become Ace's mistress, embarking on a series of seedy adventures in New York's underbelly. Desperate to save his daughter's tainted reputation, Stephen finds her and makes her a deal: He'll stop drinking if she'll stop seeing Ace. The thrilling conclusion might just tear them apart forever. Shearer and director Clarence Brown also received nominations for their work in this powerful and moving film.
BONUS FEATURE:
Three on a Match (1932, 63 min)
The gangster melodrama, Three on a Match, stars Bette Davis, Joan Blondell and Ann Dvorak as a trio of school chums – Mary, Ruth and Vivian – meeting for a reunion ten years after high school. Director Mervyn LeRoy crams much plot into the 64 minute run time following each of the women’s lives. Mary is now a chorus girl after a stint in reform school; level-headed Ruth has a job as a secretary; and sexy Vivian is on the verge of deserting her wealthy husband Henry Kirkwood and their baby in favor of a glamorous gangster. The film is also noteworthy for the number of future stars making brief appearances, such as Lyle Talbot, Edward Arnold and, in his first gangster role, Humphrey Bogart as “The Mug.”
Female (1933, 60 min)
In director Michael Curtiz's romantic comedy Female, Ruth Chatterton plays Alison Drake, the iron-fisted president of a motorcar company. Alison oversees the daily operations of her male employees with a predatory gaze and frequently exercises her right to engage with them in any way she deems fit. She meets her match in an equally strong-minded new employee, Jim Thorne (George Brent), and the two engage in a smoldering, contentious, sexually charged duel. The action of the film--one of the first to depict a female character turning a man's world to her advantage--feeds on the novelty of presenting a woman as a corporate shark and bedroom hound. Though it's obvious the filmmakers thought they were creating a scenario that would never actually happen, Alison's world-smashing exploits make the bulk of the film (before she begins to question her nontraditional lifestyle) a protofeminist romp. Brent and Chatterton were married at the time they made the film, and the natural chemistry between them is abundantly evident. Curtiz packs the screen with extravagant set design and period detail.
BONUS FEATURE:
Night Nurse (1931, 72 min)
William Wellman's Night Nurse is a sassy, unsentimental comedy about a private pediatric nurse named Lora Hart (Barbara Stanwyck) who, after applying as an apprentice in a family home, discovers there is a plot afoot to starve her two rich, fat, young charges to death. The culprit is the family’s chauffeur, Nick (Clark Gable), a villain who plans to marry the kids' dissolute mother and make off with their trust fund. It then is up to Hart, her wisecracking nurse friend Maloney (Joan Blondell), and her bootlegger beau Mortie (Ben Lyon) to save them. Director Wellman keeps the jokes humming along with the peril.
This never-before seen documentary, Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood examines the unique collision of events that resulted in one of the most dynamic – and delicious periods in Hollywood history -- a fascinating mix of scandal, big business and social history.
BONUS FEATURES
On March 4, Warner Home Video (WHV) will introduce a second group of sassy and taboo films from Hollywood’s Pre-Production Code era with the DVD debut of TCM Archives: Forbidden Hollywood Volume 2. Following the success of last year’s Volume 1, this new 3-disc collection will contain five pre-code sizzlers, with some of Hollywood’s biggest stars. Disc One spotlights Norma Shearer in her Best Actress Oscar®-winning role as The Divorcee and again in A Free Soul; with Lionel Barrymore and Clark Gable. Disc Two features Bette Davis, Joan Blondell and Ann Dvorak in Three on a Match paired with the Michael Curtiz-directed comedy Female starring Ruth Chatterton as a no-nonsense CEO. Disc Three features William Wellman’s powerful drama Night Nurse, which stars Barbara Stanwyck with a very young Clark Gable, along with the new documentary feature Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood. The film provides fascinating insight into the American psyche of late 1920s and early 1930s, illustrating why, more than seventy years later, the so-called “Pre-Code” movies remain among the most vital and provocative films ever made.
DISC 1
The Divorcee (1930, 82 min)
Based on Ursula Parrott’s spicy 1929 novel “Ex-wife,” the highly controversial The Divorcee was nominated for four Academy Awards including Best Picture. Norma Shearer won for Best Actress as a woman who confronts the hypocrisy of the double standard after catching her husband in a compromising position and forcing him to confess his infidelities. Her solution to the problem: try to match him tryst for tryst.
A Free Soul (1931, 91 min)
In A Free Soul, Lionel Barrymore captured an Oscar for his portrayal of a brilliant alcoholic lawyer Stephen Ashe, who successfully defends dashing gangster Ace Wilfong (Clark Gable) on a murder charge only to find that his headstrong daughter, Jan (Norma Shearer), has fallen in love with his client. Jan, a fun-loving socialite seeking freedom from her blue-blood upbringing, is only too eager to dump her aristocratic boyfriend (Leslie Howard) for the no-good gangster. She runs away from her childhood home to become Ace's mistress, embarking on a series of seedy adventures in New York's underbelly. Desperate to save his daughter's tainted reputation, Stephen finds her and makes her a deal: He'll stop drinking if she'll stop seeing Ace. The thrilling conclusion might just tear them apart forever. Shearer and director Clarence Brown also received nominations for their work in this powerful and moving film.
BONUS FEATURE:
- The Divorcee commentary by Jeffrey Vance and Tony Maietta
Three on a Match (1932, 63 min)
The gangster melodrama, Three on a Match, stars Bette Davis, Joan Blondell and Ann Dvorak as a trio of school chums – Mary, Ruth and Vivian – meeting for a reunion ten years after high school. Director Mervyn LeRoy crams much plot into the 64 minute run time following each of the women’s lives. Mary is now a chorus girl after a stint in reform school; level-headed Ruth has a job as a secretary; and sexy Vivian is on the verge of deserting her wealthy husband Henry Kirkwood and their baby in favor of a glamorous gangster. The film is also noteworthy for the number of future stars making brief appearances, such as Lyle Talbot, Edward Arnold and, in his first gangster role, Humphrey Bogart as “The Mug.”
Female (1933, 60 min)
In director Michael Curtiz's romantic comedy Female, Ruth Chatterton plays Alison Drake, the iron-fisted president of a motorcar company. Alison oversees the daily operations of her male employees with a predatory gaze and frequently exercises her right to engage with them in any way she deems fit. She meets her match in an equally strong-minded new employee, Jim Thorne (George Brent), and the two engage in a smoldering, contentious, sexually charged duel. The action of the film--one of the first to depict a female character turning a man's world to her advantage--feeds on the novelty of presenting a woman as a corporate shark and bedroom hound. Though it's obvious the filmmakers thought they were creating a scenario that would never actually happen, Alison's world-smashing exploits make the bulk of the film (before she begins to question her nontraditional lifestyle) a protofeminist romp. Brent and Chatterton were married at the time they made the film, and the natural chemistry between them is abundantly evident. Curtiz packs the screen with extravagant set design and period detail.
BONUS FEATURE:
- Theatrical trailers
Night Nurse (1931, 72 min)
William Wellman's Night Nurse is a sassy, unsentimental comedy about a private pediatric nurse named Lora Hart (Barbara Stanwyck) who, after applying as an apprentice in a family home, discovers there is a plot afoot to starve her two rich, fat, young charges to death. The culprit is the family’s chauffeur, Nick (Clark Gable), a villain who plans to marry the kids' dissolute mother and make off with their trust fund. It then is up to Hart, her wisecracking nurse friend Maloney (Joan Blondell), and her bootlegger beau Mortie (Ben Lyon) to save them. Director Wellman keeps the jokes humming along with the peril.
This never-before seen documentary, Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood examines the unique collision of events that resulted in one of the most dynamic – and delicious periods in Hollywood history -- a fascinating mix of scandal, big business and social history.
BONUS FEATURES
- Night Nurse commentary by Jeffrey Vance and Tony Maietta
- Night Nurse theatrical trailer
Charlie Chan, Vol. 4 in February - 3 DAY SPECIAL PRICE
**Fox** has announced a February 12th release date for Charlie Chan Collection, Vol. 4. The set will include the first four Sidney Toler Chan adventures: Charlie Chan in HonoluluCharlie Chan in Reno (1939), Charlie Chan at Treasure Island (1939) & City in Darkness (1939). Among the co-stars are Lynn Bari, Lon Chaney Jr., Victor Sen Yung, Cesar Romero, Douglas Fowley, Donald MacBride, Ricardo Cortez, Phyllis Brooks, George Zucco & Marc Lawrence. The 4 DVD set will be sold only as a complete set and will retail for $49.99, but is available at Classicflix.com for only $37.99. However, for 3 days only, we'll have it for the SPECIAL PRE-ORDER PRICE of $33.99. Artwork and Bonus Features details to follow... (1938),
101 Dalmatians (Platinum Edition) in March
**Walt Disney Home Entertainment** has announced a March 4th release date for 101 Dalmatians (Platinum Edition). The 2-Disc DVD set will retail for $29.99, but is available at Classicflix.com for only $21.99. As with previous Platinum releases there will be loads of extras as well as a new digital restoration. And if it's anything like last years release of the restored Peter Pan (Platinum Edition), it will be brilliant! Details below...
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For the first time in nearly a decade, Walt Disney Studios Home Entertainment unleashes 101 of the world’s most famous dogs when Walt Disney’s original dog classic, 101 Dalmatians: Platinum Edition comes to DVD March 4, 2008 for a limited time only.
101 Dalmatians is the true Disney Dog classic, considered by critics to be one of the best and most innovative Disney animated films. This all-new two-disc Platinum Edition is a must-own for fans big and small, featuring beloved characters Pongo, Perdita, and their 99 puppies, as well as one of Disney’s most deliciously evil villains of all time – Cruella De Vil (ranked on American Film Institute’s Best Villains of All Time List).
101 Dalmatians: Platinum Edition is brilliantly restored with enhanced picture and sound and includes all-new, never-before-seen bonus features that will have fans of all ages howling with delight: An all-new interactive ”Virtual Dalmatian” game with over 101 possibilities to adopt, train and care for your very own virtual puppy, deleted songs, behind-the-scenes featurettes, an in-depth look at the personal correspondence between Walt Disney and Dodie Smith, (author of the book The Hundred and One Dalmatians), and much more.
One of the most cherished and sought-after Disney classics of all time, 101 Dalmatians is among the last films to bear the personal touch of Walt Disney. This original classic is available for a limited time only before it returns to the Disney vault.
When Pongo and Perdita, a pair of adorable Dalmatians play Cupid for their human pets, wedding bells soon ring! In a short time, the dogs become the proud parents of 15 winsome puppies, but their happiness is short-lived. The wicked Cruella De Vil wants to buy the all puppies—to make a coat! When her dastardly offer is turned down, she orders her bumbling henchmen Horace and Jasper to abscond with the puppies as well as every other Dalmatian puppy in London. Pongo and Perdita must rally a network of animals across England with the “twilight bark” to help find Cruella's secret hideaway and rescue 99 precious puppies.
BONUS FEATURES:
- Disney’s Virtual Dalmatians - Adopt, name, train and care for your very own virtual puppy where there are over 101 possibilities.
- Puppy Profiler - Find out which dog you’re most like!
- 101 Pop-Up Trivia Facts For The Family & Collector - Discover 202 amazing things You Never Knew about the movie as you watch it – with 101 pop up facts for the family and 101 for the collector
- All-New “Cruella De Vil” Music Video - The classic song “Cruella De Vil” gets a contemporary twist when multitalented teen Disney Channel star Selena Gomez performs the song in a brand new video!
- Redefining The Line: The Making Of 101 Dalmatians - 101 Dalmatians is considered by critics to be one of the best and most innovative Disney animated films. Go behind the scenes with its creators to find out about everything - including the technological innovation of the Xerox process in animation.
- Cruella De Vil: Drawn To Be Bad - Inspired by flamboyant actress Tallulah Bankhead, Cruella De Vil has become a villain that movie fans love to hate. Marc Davis, an animation legend and one of Disney’s immortal “Nine Old Men” reveals how this iconic character came to be.
- Sincerely Yours, Walt Disney - Experience Walt Disney and Dodie Smith’s (author of the book The Hundred and One Dalmatians) actual correspondence during the movie’s production.
VCI Serials - White Eagle & Battling with Buffalo Bill in December
**VCI** is staying busy with two more new to DVD releases on December 4th. They are Battling with Buffalo Bill (1931) with Tom Tyler and White Eagle (1941) starring Buck Jones . Each single disc release will retail for $29.99, but can be purchased here at Classicflix.com for only $19.99. Details below.
(note: Barbara Weeks is not in this film. VCI will correct the artwork shortly)
(note: Barbara Weeks is not in this film. VCI will correct the artwork shortly)
Battling with Buffalo Bill (1931, 217 min)
Gold is discovered in a small western town and the local gambler Jim Rodney plans to seize by having the townspeople murdered or frightened away by Indians. To put his plan in motion, Rodney has an Indian woman murdered and steals the horses. When “Buffalo Bill” Cody and the US Cavalry appear things get a bit tricky. Rodney then goes to the second plan to have himself elected as town marshal. Of course, the election is rigged and Cody then takes on the task of bringing Rodney to justice – while still fighting off the attacks by the Indians. 12 Chapters of Thrilling Suspense!
BONUS FEATURES:
After the young boy’s father, a US army officer, is killed in an Indian raid, he becomes White Eagle – being raised by Indians. White Eagle believes that the Indians and white settlers can live together and works to see that happen. However, a gang leader who has his own reasons for not wanting that peaceful union sets out to stir up as much trouble between them as possible. 15 Chapters of fighting for love and honor!
BONUS FEATURES:
Gold is discovered in a small western town and the local gambler Jim Rodney plans to seize by having the townspeople murdered or frightened away by Indians. To put his plan in motion, Rodney has an Indian woman murdered and steals the horses. When “Buffalo Bill” Cody and the US Cavalry appear things get a bit tricky. Rodney then goes to the second plan to have himself elected as town marshal. Of course, the election is rigged and Cody then takes on the task of bringing Rodney to justice – while still fighting off the attacks by the Indians. 12 Chapters of Thrilling Suspense!
BONUS FEATURES:
- Trailers
- Cowboy Montage Video
After the young boy’s father, a US army officer, is killed in an Indian raid, he becomes White Eagle – being raised by Indians. White Eagle believes that the Indians and white settlers can live together and works to see that happen. However, a gang leader who has his own reasons for not wanting that peaceful union sets out to stir up as much trouble between them as possible. 15 Chapters of fighting for love and honor!
BONUS FEATURES:
- Trailers
- Cowboy Montage Video
VCI Honors 150th Anniversary of Lourdes with 2 DVDs in December
**VCI** has announced a December 4th release date of two DVDs to honor the 150th Anniversary of the first apparition at Lourdes. They are: Loretta Young's The Road to Lourdes and Other Miracles of Faith & Bernadette of Lourdes. Each DVD will retail for $14.99, but are available at Classicflix.com for $10.99. Details below:
Loretta Young's The Road to Lourdes and Other Miracles of Faith - Contains four episodes from her TV show.
The Road to Lourdes (1959)
Loretta Young stars as a spoiled American in Paris diagnosed with an inoperable brain tumor. During a drive to Spain she makes a surprise visit to Lourdes, through the eyes of a local boy she meets along the road, she comes to understand the pure faith of those who line up to bathe in the healing waters of the popular religious shrine and discovers that miracles really do happen. Filmed entirely in France in 1959, the inspirational film was an episode of the Emmy Award winning series The Loretta Young Show.
Also included are three special episodes from The Loretta Young Show:
Three, and Two Please A.K.A. Sister Ann's Christmas (Original air date: 12-16-56)
Loretta Young portrays Sister Ann, head nurse in a busy hospital who works hard to make this a merry Christmas for two of her more difficult patients - a crotchety old man played by Vaughn Taylor, and a small boy, Eugene Martin, who is in despair over the bicycle nobody can afford to buy him for Christmas.
Sister Ann (Original air date: 1-11-59)
When Sister Ann (Loretta Young) decides to contribute her tiny fortune to a building fund for Mercy Hospital, her contribution goes to much more than just building an additional hospital floor.
Faith, Hope and Mr. Flaherty (Original air date: 5-08-60)
In this episode, Sister Ann makes an investment with money that isn’t hers. When Mrs. Flaherty, a patient at Mercy Hospital, gives the nun five dollars for the hospital building fund Sister Ann invests the sum in another way. Her investment reaps big returns, but it also brings big problems with it. J. M. Kerrigan plays Mrs. Flaherty.
BONUS FEATURES:
Filmed adaptation of the life of St. Bernadette of Lourdes. As a 14 year old peasant girl growing up in the tiny French village of Lourdes in the 19th century, Bernadette (Daniele Ajoret) experiences visions of the Virgin Mary in a nearby grotto during February and March of 1858. Doing as instructed, Bernadette digs by a large rock, revealing a “healing spring” that is still visited today – the Lourdes.
Bernadette joined the Sisters of Charity at Nevers (1866) and remained in seclusion until her death at 35. After her death, Bernadette’s body remained “incorruptible”, and the shrine at Lourdes went on to become a major site for pilgrimage, attracting millions of Catholics each year. On December 8, 1933 she was canonized as a saint by the Roman Catholic Church.
BONUS FEATURES:
Loretta Young's The Road to Lourdes and Other Miracles of Faith - Contains four episodes from her TV show.
The Road to Lourdes (1959)
Loretta Young stars as a spoiled American in Paris diagnosed with an inoperable brain tumor. During a drive to Spain she makes a surprise visit to Lourdes, through the eyes of a local boy she meets along the road, she comes to understand the pure faith of those who line up to bathe in the healing waters of the popular religious shrine and discovers that miracles really do happen. Filmed entirely in France in 1959, the inspirational film was an episode of the Emmy Award winning series The Loretta Young Show.
Also included are three special episodes from The Loretta Young Show:
Three, and Two Please A.K.A. Sister Ann's Christmas (Original air date: 12-16-56)
Loretta Young portrays Sister Ann, head nurse in a busy hospital who works hard to make this a merry Christmas for two of her more difficult patients - a crotchety old man played by Vaughn Taylor, and a small boy, Eugene Martin, who is in despair over the bicycle nobody can afford to buy him for Christmas.
Sister Ann (Original air date: 1-11-59)
When Sister Ann (Loretta Young) decides to contribute her tiny fortune to a building fund for Mercy Hospital, her contribution goes to much more than just building an additional hospital floor.
Faith, Hope and Mr. Flaherty (Original air date: 5-08-60)
In this episode, Sister Ann makes an investment with money that isn’t hers. When Mrs. Flaherty, a patient at Mercy Hospital, gives the nun five dollars for the hospital building fund Sister Ann invests the sum in another way. Her investment reaps big returns, but it also brings big problems with it. J. M. Kerrigan plays Mrs. Flaherty.
BONUS FEATURES:
- The 67 cures at Lourdes recognized as miracles by the Church
- The Prayer of Bernadette
- Christopher Lewis, Loretta Young's son, interview on the making of the Road to Lourdes
- Linda Lewis, Loretta Young's daughter-in-law, on the continuing miracles of the Road to Lourdes
- Classic TV Commercials.
- Trailers
Filmed adaptation of the life of St. Bernadette of Lourdes. As a 14 year old peasant girl growing up in the tiny French village of Lourdes in the 19th century, Bernadette (Daniele Ajoret) experiences visions of the Virgin Mary in a nearby grotto during February and March of 1858. Doing as instructed, Bernadette digs by a large rock, revealing a “healing spring” that is still visited today – the Lourdes.
Bernadette joined the Sisters of Charity at Nevers (1866) and remained in seclusion until her death at 35. After her death, Bernadette’s body remained “incorruptible”, and the shrine at Lourdes went on to become a major site for pilgrimage, attracting millions of Catholics each year. On December 8, 1933 she was canonized as a saint by the Roman Catholic Church.
BONUS FEATURES:
- The 67 cures at Lourdes recognized as miracles by the Church
- The Prayer of Bernadette
- Making Bernadette a Saint
- Trailers
Postwar Kurosawa - Eclipse Series 7 in January
**Criterion** has announced a January 15th release date for Postwar Kurosawa - Criterion Eclipse Series 7. The 5-Disc DVD set will retail for $69.95, but is available at Classicflix.com for only $49.99. Details below.
Perhaps best known for his action-packed samurai classics, Akira Kurosawa began his career by delving into the state of his nation immediately following World War II, with visual poetry and direct emotion. Amid Japan’s economic collapse, moral waywardness, and American occupation, Kurosawa managed to find humor and redemption existing alongside despair and anxiety. In these five films, which range from the whimsically Capraesque to the icily Dostoyevskian, from political epics to courtroom potboilers, Kurosawa established both the artistic range and social acuity that would inform his entire career.
No Regrets for Our Youth (1946)
In Akira Kurosawa's first film after the end of World War II, Japanese film star (and eventual Ozu regular) Setsuko Hara gives an astonishing performance as Yukie, Kurosawa's only female protagonist and one of his strongest heroes. Transforming herself from genteel bourgeois daughter to independent social activist, Yukie journeys across a decade of tumultuous Japanese history.
One Wonderful Sunday (1947)
Akira Kurosawa examined the harsh economic truths of postwar Japan with this affectionate tribute to young love. Trying to make their meager thirty-five yen last during a Sunday trip into a war-ravaged Tokyo, Yuzo and Masako look for work and lodging, as well as affordable entertainments to pass the time. Reminiscent of Frank Capra’s social realist comedies as well as contemporaneous Italian neorealist films, One Wonderful Sunday touchingly offers a bit of hope amidst misery.
Scandal (1950)
A handsome, suave Toshiro Mifune lights up the screen as painter Ichiro, whose circumstantial meeting with a famous singer (Yoshiko Yamaguchi) is construed by the tabloid press as a torrid affair. When Ichiro files a lawsuit against the incriminating gossip magazine, he hires the ethically dubious lawyer Hiruta (Kurosawa stalwart Takashi Shimura)—who's playing both sides. A portrait of moral decline during Japan’s postwar reparations, Scandal is also a compelling courtroom drama and a tale of human redemption.
The Idiot (1951)
After finishing what would become his international phenomenon Rashomon, Akira Kurosawa immediately turned to one of the most daring—and problem-plagued—productions of his career. The Idiot, adapted faithfully from Fyodor Dostoyevsky's nineteenth-century masterpiece about a wayward, pure soul's reintegration into society, yet updated to capture Japan’s postwar aimlessness, was a victim of studio interference and, finally, public indifference. Today, Kurosawa's onetime "folly" looks ever more fascinating, a stylish, otherworldly evocation of one man’s wintry mindscape.
I Live in Fear (1955)
Both the final film in which Kurosawa would so directly wrestle with the demons of the second world war and his most literal representation of living in an atomic age, Akira Kurosawa’s galvanizing I Live in Fear presents Toshiro Mifune as an elderly, stubborn businessman so fearful of a nuclear attack that he vows to move his reluctant family to South America. With this mournful film, the director depicts a society emerging from the shadows but still terrorized by memories of the past and anxieties of the future.
Perhaps best known for his action-packed samurai classics, Akira Kurosawa began his career by delving into the state of his nation immediately following World War II, with visual poetry and direct emotion. Amid Japan’s economic collapse, moral waywardness, and American occupation, Kurosawa managed to find humor and redemption existing alongside despair and anxiety. In these five films, which range from the whimsically Capraesque to the icily Dostoyevskian, from political epics to courtroom potboilers, Kurosawa established both the artistic range and social acuity that would inform his entire career.
No Regrets for Our Youth (1946)
In Akira Kurosawa's first film after the end of World War II, Japanese film star (and eventual Ozu regular) Setsuko Hara gives an astonishing performance as Yukie, Kurosawa's only female protagonist and one of his strongest heroes. Transforming herself from genteel bourgeois daughter to independent social activist, Yukie journeys across a decade of tumultuous Japanese history.
One Wonderful Sunday (1947)
Akira Kurosawa examined the harsh economic truths of postwar Japan with this affectionate tribute to young love. Trying to make their meager thirty-five yen last during a Sunday trip into a war-ravaged Tokyo, Yuzo and Masako look for work and lodging, as well as affordable entertainments to pass the time. Reminiscent of Frank Capra’s social realist comedies as well as contemporaneous Italian neorealist films, One Wonderful Sunday touchingly offers a bit of hope amidst misery.
Scandal (1950)
A handsome, suave Toshiro Mifune lights up the screen as painter Ichiro, whose circumstantial meeting with a famous singer (Yoshiko Yamaguchi) is construed by the tabloid press as a torrid affair. When Ichiro files a lawsuit against the incriminating gossip magazine, he hires the ethically dubious lawyer Hiruta (Kurosawa stalwart Takashi Shimura)—who's playing both sides. A portrait of moral decline during Japan’s postwar reparations, Scandal is also a compelling courtroom drama and a tale of human redemption.
The Idiot (1951)
After finishing what would become his international phenomenon Rashomon, Akira Kurosawa immediately turned to one of the most daring—and problem-plagued—productions of his career. The Idiot, adapted faithfully from Fyodor Dostoyevsky's nineteenth-century masterpiece about a wayward, pure soul's reintegration into society, yet updated to capture Japan’s postwar aimlessness, was a victim of studio interference and, finally, public indifference. Today, Kurosawa's onetime "folly" looks ever more fascinating, a stylish, otherworldly evocation of one man’s wintry mindscape.
I Live in Fear (1955)
Both the final film in which Kurosawa would so directly wrestle with the demons of the second world war and his most literal representation of living in an atomic age, Akira Kurosawa’s galvanizing I Live in Fear presents Toshiro Mifune as an elderly, stubborn businessman so fearful of a nuclear attack that he vows to move his reluctant family to South America. With this mournful film, the director depicts a society emerging from the shadows but still terrorized by memories of the past and anxieties of the future.
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