CRITERION: Island of Lost Souls - Standard & Blu in October

WHAT:
WHEN:
STUDIO:
PRICE:
Island of Lost Souls (1932)
October 25th
Criterion
Retail: 29.95, Our: $23.99
Buy Now
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WHAT:
WHEN:
STUDIO:
PRICE:
Island of Lost Souls (Blu-Ray) (1932)
October 25th
Criterion
Retail: 39.95, Our: $31.99
Buy Now
Add to QueueAdd to Queue Top Priority

The wait is over. 14 years after DVD's inception, Island of Lost Souls finally makes it to the format, as well as Blu-Ray, on October 25th.

Each Criterion release will be a single disc with plenty of bonus material (below).


SYNOPSIS:
A twisted treasure from Hollywood’s pre-Code horror heyday, Island of Lost Souls is a cautionary tale of science run amok adapted from H. G. Wells’s novel The Island of Dr. Moreau.

In one of his first major movie roles, Charles Laughton is a mad doctor conducting ghastly genetic experiments on a remote island in the South Seas, much to the fear and disgust of the shipwrecked sailor (Richard Arlen) who finds himself trapped there. Erle C. Kenton’s touchstone of movie terror is elegantly shot by Karl Struss, features groundbreaking makeup effects that inspired generations of monster-movie artists, and costars Bela Lugosi in one his most gruesome roles.

BONUS FEATURES:
  • Audio commentary by film historian Gregory Mank, author of Bela Lugosi and Boris
    Karloff
    and Hollywood’s Maddest Doctors
  • New video conversation among filmmaker John Landis (An American Werewolf in
    London
    ), Oscar-winning makeup artist Rick Baker (An American Werewolf in London,
    Videodrome
    ), and genre expert Bob Burns
  • New interviews with horror film historian David J. Skal (The Monster Show: A Cultural
    History of Horror
    ); filmmaker Richard Stanley (Hardware, original director of the ill-fated
    1996 remake of The Island of Dr. Moreau)
  • New interviews with Devo founding members Gerald Casale and Mark Mothersbaugh,
    whose manifesto is rooted in themes from Island of Lost Souls
  • Theatrical trailer
  • PLUS: A booklet featuring a new essay by critic Christine Smallwood

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